Tag Archives: development

Up Next…

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I’m spending the first part of June filming Bart Freundlich‘s After The Wedding with Michelle Williams and Julianne Moore.  The set has been extremely friendly, professional and comfortable.  I feel so lucky to be having so much fun while working alongside such a talented team.  And I’m shooting during my birthday so it’s a perfect time to hit a milestone.  The path forward feels clearer than ever!

During the latter part of June I’m spending some time at the Dorset Theatre Festival working on Kate Cortesi’s Is Edward Snowden Single? with Pirronne Yousefzadeh.  I’ve been developing this two-hander with Kate for a while and so I’m excited to take some time away to really dig into the fabric of this smart and devastating play.

In July I’m headed to the Cape Cod Theatre Project to work with Laura Jacqmin on End Of Message.  I’m so excited to work with her again!  For me, a lot of her work is about the complexity of being a woman in the workplace and/or in a relationship.  She’s also just really great at character and dialogue, so every time I work on one of her plays I get to work with incredible actors who are totally game to chew up her language and ideas.

After that I’ll go to New York Stage And Film to work on a new musical created by Molly Beach Murphy, Jeanna Phillips and Annie Tippe titled Cowboy Bob.  I don’t know any of the creative team for this fun new piece, but we’ve got lots of familiars in common so I’m excited to take this journey with them.  More soon!

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Summer Happenings…

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I just reunited with Sibyl Kempson and Graham Reynolds to work on The Securely Conferred Vouchsafed Keepsakes of Maery S. at New Dramatists.  It’s a sort of kaleidoscopic meditation on Mary Shelley’s life, monsters and the outdoors.  We had a week to work primarily on music but we also managed to try out some new theatrical conceits that proved super fertile during our concert reading.  It was a treat to have so much time to work with artists I admire and adore.

I’m thrilled to begin work on another musical this week at Ars Nova.  Created by a wildly talented couple–The Bengsons–with additional lovely thoughtful work on the book by Sarah Gancher, it’s called The Lucky Ones and is being directed by Anne Kaufman.  I love working with Anne as much as I love watching her work.  So I’m very excited to be in this room and sing these songs and return to the freedom and delicious that is Ars Nova.  Last time I performed there it was in the original production of Natasha, Pierre and the Great Comet of 1812 so partnering with them again feels like home.

I’m also doing a short film with my friend Shane Kearns.  He wrote the script, won a grant from BMCC and is hard at work to make his vision a reality.  It’s called Remedial Love and we’ll star in it together.  I’ll share our fruits as soon as I can.  Stay tuned cause I’ve got another play on the horizon…

 

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Harvest!

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This fall has been chock full of new developments!  I’ve been in residency at The New Museum since the end of October.  They’ve created a pop up repertory company called X-ID Rep in an effort to further explore the theme of their season: persona.  More to the point: the company is investigating “cross play” in the theater or playing someone of a different race, gender, sexual orientation, etc. and what the politics of that are.  We’re talking stereotypes, appropriation, xenophobia, history, language, privilege and so much more.  It’s been a difficult heady tender meta journey to have the talents of eight performers, four writers and four directors meet.  But overall, everyone’s skills are so varied and wonderful it’s been a real gift to share this time and space together.  We’re essentially an ongoing exhibit at the museum until we have our final showing in January.  So anyone can stop by and check out the process during open studio hours.  More information including open studio hours (and eventually details regarding the final showing) can be found here.  Justine Williams is writing a series of articles about the project for Culturebot that can be found here.

I attended the Audelco awards a few weeks ago as Dancing on Eggshells (a show I was in the world premiere of earlier this year) was nominated for Best Choreography and Best Ensemble.  We didn’t win but it was wonderful to be acknowledged and invited.  There was a lot of talent in that room.

I just watched a final cut of Masquerade, a period short I’m in that tells the true story of William and Ellen Craft’s escape from slavery (see post below for more info).  It’s being submitted to festivals and will premiere in 2016 so I can’t post clips yet but I do have this screen shot to share:

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Last month I was in PlayTime at New Dramatists, which is one of their longer developmental workshops  (lasting two weeks) for five of their playwrights in residence.  What’s amazing is that they take such great care of everyone and go to such pains to make sure that people working on different shows intersect that it feels like a retreat though almost everyone in the company was in the city they call home.  There were free meals, yoga classes and writing workshops and the whole thing was totally kumbaya and rejuvenating.  I was lucky enough to work with Sibyl Kempson (writer/director) and Graham Reynolds (composer) on The Securely Conferred Vouchsafed Keepsakes of Maery S.  Sibyl is endlessly smart and creative and operating on a frequency that resonates in yet undiscovered parts of the psyche.  Graham’s music is inspired and hearty and satisfying.  Love them.  Love the work.  So excited to see what else we can make together…

Finally, I’m so excited to announce that I’m in the world premiere of Laura Jacqumin’s Residence directed by Hal Brooks at Humana Festival.  Humana is such a hotbed for great new American plays it’s been a goal of mine to be a part of it.  I’m really happy I’ll get to go with such a great creative team and more than a relieved to miss the worst of winter in NYC 🙂 More info here.

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